Teo Hernández Movies

An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father,...

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

Fugitive images of old Paris neighborhoods.

Outtakes from the movie.

A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.

Teo Hernández's unmistakable camera movements portray the Basilica of the Sacred Heart in Paris.

The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the...

Short film by Teo Hernández.

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy...

Touching testimony of Teo Hernandez's return to his country after fifteen years of exile.

In the early '80s, this collective of artists invented a style of cinema made in 4 hands, where each of the protagonists is also a filmmaker.

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...

Outtakes from the movie

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

Hymn to nature, song to the cosmos, Mâyâ builds a world where the camera generates a new type of representation in which the depth of...

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.